| Tonart | Anzahl Halbtonschritte zwischen den Tönen | Beispieltonleiter | |
| Kurd | 7, 1, 2, 2, 2, 1, 2, 2 | Beispiel: D Kurd | D3, A3, Bb3, C4, D4, E4, F4, G4, A4 |
| Amara | 7, 3, 2, 2, 1, 2, 2, 5 | Beispiel: C Amara | C3, G3, Bb3, C4, D4, Eb4, F4, G4, C5 |
| Hijaz | 7, 1, 3, 1, 2, 1, 3, 1 | Beispiel: F# Romanian Hijaz | F#3, C#4, D4, F4, F#4, G#4, A4, C5, C#5 |
| Pygmy | 2, 1, 4, 3, 2, 2, 1, 4 | Beispiel: F Low Pygmy | F3, G3, G#3, C4, D#4, F4, G4, G#4, C5 |
| Equinox | 3, 4, 1, 2, 2, 2, 1, 4 | Beispiel: E Equinox | E3, G3, B3, C4, D4, E4, F#4, G4, B4 |
| La Sirena | 3, 4, 2, 1, 2, 2, 1, 4 | Beispiel: F La Sirena | F3, Ab3, C4, D4, Eb4, F4, G4, Ab4, C5 |
D-Kurd: D3/ A3, Bb3, C4, D4, E4, F4, G4, A4
D Amara: D3/ A3, C4, D4, E4, F4, G4, A4, C5
D-Celtic minor: D/ A C D E F G A C
D Sabye: D3, G3, A3, B3, C#4, D4, E4, F#4, A4
C# Kurd :C#3, G#3, A3, B3, C#4, D#4, E4, F#4, G#4
C# Amara: C#3, G#3, B3, C#4, D#4, E4, F#4, G#4, B4
C-minor, 432 Hz: C/ G, C, D, D#, F, G, G#, C
C#-minor: C#/ G#, C#, D#, E, F#, G#, A, C#
C# Kurd (432 Hz): C#3, G#3, A3, B3, C#4, D#4, E4, F#4, G#4
C#-Annaziska, (432 Hz): C#/ G#, A, B, C#, D#, E, F#, G#
B-Celtic minor, ( 432 Hz): B/ F#, A, B, C#, D, E, F#, A, B
E-Sabye: E/ A, B, C#, D#, E, F#, G#
F# Romanian Hijaz: F#3/ C#4, D4, F4, F#4, G#4, A4, C5, C#5
F Low Pygmy: F3, G3, G#3, C4, D#4, F4, G4, G#4, C5
G# Kurd: G#3, D#4, E4, F#4, G#4, A#4, B4, C#5, D#5
F# Melodic Minor: F#3, B3, C#4, E4, F#4, G#4, A4, B4, C#5, E5